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    The Sun Also Rises (1957) – The Deluxe Version

    The Sun Also Rises (1957) – The Deluxe Version

    ‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

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    Nurse Lora Hart (Barbara Stanwyck) finally reaches her limit with neglectful & drunken mother, Mrs. Ritchie (Charlotte Merriam), in Night Nurse (1931). A 72 minute, pre-code, crime drama directed by William ‘Wild Bill’ Wellman. It was during the making of this film that Stanwyck and Wellman struck up a lifelong friendship, eventually making four more films together.

    Night Nurse (1931) inspires A Star Is Born (1937)

    Realistic, principled and most of all, resolute, Sheriff Kane (Gary Cooper) waits to face his own high noon. High Noon.

    High Noon (1952) inspires Rio Bravo (1959)

    It Happened One Night (1934) inspires Bugs Bunny

    It Happened One Night (1934) inspires Bugs Bunny

    The Barefoot Contessa (1954) inspires La Dolce Vita (1960)

    The Barefoot Contessa (1954) inspires La Dolce Vita (1960)

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    Marty (1955) and Moonstruck (1987)

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    ‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

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    The Sun Also Rises (1957) – The Deluxe Version

    The Sun Also Rises (1957) – The Deluxe Version

    ‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

    The Great McGinty (1940) influences Boris Badenov

    Nurse Lora Hart (Barbara Stanwyck) finally reaches her limit with neglectful & drunken mother, Mrs. Ritchie (Charlotte Merriam), in Night Nurse (1931). A 72 minute, pre-code, crime drama directed by William ‘Wild Bill’ Wellman. It was during the making of this film that Stanwyck and Wellman struck up a lifelong friendship, eventually making four more films together.

    Night Nurse (1931) inspires A Star Is Born (1937)

    Realistic, principled and most of all, resolute, Sheriff Kane (Gary Cooper) waits to face his own high noon. High Noon.

    High Noon (1952) inspires Rio Bravo (1959)

    It Happened One Night (1934) inspires Bugs Bunny

    It Happened One Night (1934) inspires Bugs Bunny

    The Barefoot Contessa (1954) inspires La Dolce Vita (1960)

    The Barefoot Contessa (1954) inspires La Dolce Vita (1960)

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    • Double Indemnity
    • The Lost Weekend
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  • Dream Stream
    Marty (1955) and Moonstruck (1987)

    Marty (1955) and Moonstruck (1987)

    Roman Holiday (1953) and Trumbo (2007)

    Roman Holiday (1953) and Trumbo (2007)

    Body and Soul (1947) and Raging Bull (1980)

    Body and Soul (1947) and Raging Bull (1980)

    Double Indemnity (1944) and Body Heat (1981)

    Double Indemnity (1944) and Body Heat (1981)

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    good-hearted, 34-year-old Italian-American butcher who feels too old and ugly for any woman to love in "Marty" (1955).

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    ‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

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The Sun Also Rises (1957) – The Deluxe Version

JoAnn DiVerdi by JoAnn DiVerdi
October 1, 2025
in Influencers & Inspiration
Reading Time: 5 mins read
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Influencers & Inspiration  This a Special Deluxe Version of Influencers & Inspiration to trace how the creation in one particular genre influenced and inspired not only the film, The Sun Also Rises (1957), but so many other works of art, in so many other genres, through-out the decades that followed. 

It starts with a book…

The Sun Also Rises by Ernest Hemingway published in 1926 to both critical and popular acclaim.
The Sun Also Rises by Ernest Hemingway published in 1926 to both critical and popular acclaim.

The Sun Also Rises (1926) by Ernest Hemingway. Iconic best-seller, and longtime a high-school-must-read, about a group of ex-pats who travel from Paris to Pamplona, Spain to watch the bullfights and the running of the bulls during the San Fermin Festival. Muy, muy macho stuff, 

Purportedly Hemingway (in white trousers and dark shirt) in the bullring, attempting to drag a man away from a charging bull during the San Fermin Festival in Pamplona, Spain in July, 1925. The very trip that was the basis for his famous novel.
Purportedly Hemingway (in white trousers and dark shirt) in the bullring, attempting to drag a man away from a charging bull during the San Fermin Festival in Pamplona, Spain in July, 1925. The very trip that was the basis for his famous novel.

which inspired the phrase…

David O. Selznick, legendary film producer, famous son-in-law.
David O. Selznick, legendary film producer, famous son-in-law.

“The Son-in Law Also Rises.” snidely quipped by studio employees after the 1930 marriage of David O. Selznick to Louis B. Mayer’s daughter, Irene – and Selznick’s appointment as Head of Production for his father-in-law’s studio, otherwise known as MGM,

and influenced the children’s book…

The children’s book, The Story of Ferdinand, written by Munro Leaf; illustrated by Robert Lawson. As popular and beloved today as it was when first published in 1936.
The Story of Ferdinand, written by Munro Leaf; illustrated by Robert Lawson. A classic of children’s literature, as popular and beloved today as it was when first published in 1936.

The Story of Ferdinand by Munro Leaf (1936) lauded as a classic from the start, it capitalized on America’s new awareness of, and love/hate relationship with, bullfighting. It tells the un-macho tale of a peaceful, flower-loving, little bull named Ferdinand who doesn’t want to fight but only to be left alone to smell the flowers. And then there’s Hemingway’s lesser known, forgettable, children’s story as rebuttal, The Faithful Bull, published to no acclaim what-so-ever in Holiday magazine in March of 1951,

Hemingway’s “The Faithful Bull” was published in the March 1951 issue of  Holiday magazine. Two ‘fables’ by Hemingway were included in this issue. Neither title appeared on the cover, only their famous author’s name.
Hemingway’s “The Faithful Bull” was published in the March 1951 issue of Holiday magazine. Two ‘fables’ by Hemingway were included in this issue. Neither title appeared on the cover, only their famous author’s name.

and inevitably, inspired the film adaptation…

The Sun Also Rises (1957) movie poster.
The Sun Also Rises (1957) movie poster.

The Sun Also Rises (1957) starring Tyrone Power, Ava Gardner and Errol Flynn. It emphasized the lubricated and hedonistic lifestyle embraced by the Lost Generation during the San Fermin Festival in Pamplona, Spain. Told in brilliant Deluxe Color and CinemaScope, 

which then influenced a home-decor fad…

One of the many popular versions of the muy, muy macho art that fathers proudly hung in their newly finished basements all across suburbia during the 1950s, 60s and 70s.
One of the many popular versions of the muy, muy macho art that fathers proudly hung in their newly finished basements all across suburbia in the 1950s, 60s and 70s.

Bullfighting Posters (circa late 1950s to 1970s). It seemed as though for decades there wasn’t a finished basement anywhere in suburban America that didn’t proudly display a bullfighting poster, a.k.a. early man-cave art,

And then which, inadvertently, inspired the least Hemingway scene ever to be put on film – at least any scene which involved bulls, that is…

City Slickers (1991) starring Billy Crystal, Daniel Stern and Bruno Kirby. The opening scene is a running of the bulls featuring three New Yorkers attempting to walk — or rather run — in Hemingway’s macho-footsteps.


After watching this, all one can say is: “No mas, no mas.”

Tags: Ava GardnerCity SlickersHemingwayMan-Cave ArtPamplonaThe Sun Also Rises
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About JoAnn DiVerdi

classicfilmblog.com

Classic Film Columnist

I'm a classic film columnist with a special devotion to those shot in black-and-white.

In my columns I celebrate the beauty of classic films and all those who helped to create them. And like all great works of art, I spotlight their continuing ability to influence and inspire.

My columns have appeared in The Catholic Free Press and on the sites 50 Plus CT and Mass Bay Film Project. Locally, I've conducted film programs on the great writer/director Preston Sturges. And, I've also presented my series, "Popcorn Sermons," at The Icon Museum and Study Center.

I'm also a proud member of The Film Noir Foundation, The International Buster Keaton Society and The Classic Movie Blog Association.

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— JoAnn DiVerdi (@JoAnnDiVerdi) September 7, 2025

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