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    The Sun Also Rises (1957) – The Deluxe Version

    The Sun Also Rises (1957) – The Deluxe Version

    ‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

    The Great McGinty (1940) influences Boris Badenov

    Nurse Lora Hart (Barbara Stanwyck) finally reaches her limit with neglectful & drunken mother, Mrs. Ritchie (Charlotte Merriam), in Night Nurse (1931). A 72 minute, pre-code, crime drama directed by William ‘Wild Bill’ Wellman. It was during the making of this film that Stanwyck and Wellman struck up a lifelong friendship, eventually making four more films together.

    Night Nurse (1931) inspires A Star Is Born (1937)

    Realistic, principled and most of all, resolute, Sheriff Kane (Gary Cooper) waits to face his own high noon. High Noon.

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    ‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

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Night Nurse (1931) inspires A Star Is Born (1937)

JoAnn DiVerdi by JoAnn DiVerdi
August 2, 2025
in Influencers & Inspiration
Reading Time: 4 mins read
2

Influencers & Inspiration Whereby the influence on set or in the theatre watching someone else’s film, inspires another…

Nurse Lora Hart (Barbara Stanwyck) finally reaches her limit with neglectful & drunken mother, Mrs. Ritchie (Charlotte Merriam), in Night Nurse (1931).  A 72 minute, pre-code, crime drama directed by William ‘Wild Bill’  Wellman. It was during the making of this film that Stanwyck and Wellman struck up a lifelong friendship, eventually making four more films together.
Nurse Lora Hart (Barbara Stanwyck) finally reaches her limit with neglectful and drunken mother, Mrs. Ritchie (Charlotte Merriam), in Night Nurse (1931). A 72 minute, pre-code, crime drama directed by William ‘Wild Bill’ Wellman. It was during the making of this film that Stanwyck and Wellman struck up a lifelong friendship, eventually making four more films together.

“This is Mrs. Norman Maine.”

Two Esthers and an Ally.  The remakes of the original A Star Is Born from 1937, star Judy Garland in 1954; Barbra Streisand in 1976 and Lady Gaga in 2018.
Two Esthers and an Ally. The remakes of the original A Star Is Born from 1937, stars Judy Garland in 1954; Barbra Streisand in 1976 and Lady Gaga in 2018.

Move over Babs and Lady Gaga – That’s the line-immortal that launched three remakes since the original A Star Is Born premiered in 1937! It was first uttered by Janet Gaynor, the original ‘star,’ and then delivered with great pathos by Judy Garland in its first remake in 1954. Show biz is a tough profession, Hollywood a tough town, and marriage, the toughest gig of all. Whether it’s acting for the cameras or singing for the crowds, it’s hard for love to survive when one spouse’s star is rising and the other’s flaming out. In 1937 William ‘Wild Bill’ Wellman deservedly won the Academy Award for Best Story for A Star Is Born, a film he also directed. 

Starlet, Barbara Stanwyck
Starlet, Barbara Stanwyck
Director, William Wellman
Director, William Wellman

But, how did a 72 minute film called Night Nurse (1931), made six years earlier, lead to A Star Is Born, a story that’s as true and relatable today as it was back in 1937? 

An incredibly young Barbara Stanwyck and her new, older, more successful husband, the Vaudeville star, Frank Fay.
An incredibly young Barbara Stanwyck and her new, older, more successful husband, the Vaudeville star, Frank Fay.

Night Nurse, a pre-code, crime drama starring Barbara Stanwyck, was directed by Bill Wellman. It was the first time the two worked together and they soon became lifelong friends. And, though Stanwyck never, ever, spoke of it, Wellman eventually became aware, as soon the public would, too, of Stanwyck’s difficult marriage to a difficult man, Frank Fay. Fay had been a popular Vaudeville sensation. Stanwyck, his lesser-known and devoted young wife, who was in Hollywood only because Warner Brothers had offered him a big contract. But, it was Fay who insisted Stanwyck make a screen test. Fay who then insisted Frank Capra watch it. And in so doing, it was Fay who essentially launched his wife’s film career. And, it was also Fay who had a drinking problem, one that got steadily worse as Stanwyck became a star and he, a has-been. Wellman used these elements, inspired by the Fay-Stanwyck marriage, for his poignant story of Norman Maine (Fredric March) and Esther Blodgett (Janet Gaynor). It’s what gave A Star Is Born its enduring ring of truth.

The young Esther Blodgett (Janet Gaynor) and her new, older, more successful husband, the movie star, Norman Maine (Fredric March).
The young Esther Blodgett (Janet Gaynor) and her new, older, more successful husband, the movie star, Norman Maine (Fredric March).

And when reporters had hounded ‘Miss Stanwyck’ for a comment on her then-husband’s bad behavior, what was her response? 

“I’m Mrs. Frank Fay.”

A sweet and heartfelt delivery of the last line as delivered by Vicki Lester, f.k.a Esther Blodgett (Janet Gaynor) in 1937’s A Star Is Born … plus a visually unique twist on the “typical” Hollywood ending.

Tags: A Star Is BornBarbara StanwyckFrank FayJanet GaynorLady GagaNight NurseWild Bill Wellman
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‘The Boss’ (Akim Tamiroff) is more amused than frightened of either Dan McGinty’s (Brian Donlevy) bad sense of fashion or his big, meaty fist, in the Academy Award winning The Great McGinty (1940).

The Great McGinty (1940) influences Boris Badenov

Comments 2

  1. Karen says:
    3 months ago

    Wow, I did not know this!! Interestingly, this version of A Star is Born (which is my favorite, btw) aired this morning on TCM. Great post and great info.

    Reply
    • JoAnn DiVerdi says:
      3 months ago

      Thanks, Karen! I was watching A Star Is Born (1937) on TCM this morning, also. (btw, my favorite version, too.)

      Reply

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About JoAnn DiVerdi

classicfilmblog.com

Classic Film Columnist

I'm a classic film columnist with a special devotion to those shot in black-and-white.

In my columns I celebrate the beauty of classic films and all those who helped to create them. And like all great works of art, I spotlight their continuing ability to influence and inspire.

My columns have appeared in The Catholic Free Press and on the sites 50 Plus CT and Mass Bay Film Project. Locally, I've conducted film programs on the great writer/director Preston Sturges. And, I've also presented my series, "Popcorn Sermons," at The Icon Museum and Study Center.

I'm also a proud member of The Film Noir Foundation, The International Buster Keaton Society and The Classic Movie Blog Association.

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